Jack Benny and Mary Livingstone take a Sunday walk to the studio and stop for a sandwich at a drugstore, where a chef he once knew sends Benny into a fit of indignation over the bill. Along the way they meet Rochester, who wants to borrow Benny's car for a date, and Benny's company gathers for rehearsal, where a quartet he has hired for the commercials sings for him. Edgar Bergen also comes to see Benny about a business matter, and Benny tries to interest him in the quartet. The Jack Benny series aired on NBC and CBS Radio, with Jack Benny, Mary Livingstone, Eddie Anderson and Phil Harris in the lead, and this episode is from October 13, 1946.
Characters: Jack Benny, Mary Livingstone, Rochester, Phil Harris, Dennis Day, Don Wilson, Edgar Bergen, Charlie McCarthy
The transcript of “And Mary Walk To The Studio”, an episode of Jack Benny first broadcast October 13, 1946. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). The Jack Benny Program plays Jack Benny free, live around the clock. Search inside this transcript.
Transcript
The Jack Betty program quality of product is essential to continuing success Lucky strike means fine tobacco so round so firm so fully packed so free and easy on the draw LS MFT LS MFT LS MFT of course, that's it right you are in a cigarette Yet it's the tobacco that counts, and Lucky Strike means fine tobacco.
It takes fine tobacco to make a fine cigarette. And year after year, at market after market, independent tobacco experts, auctioneers, buyers and warehousemen, can see the makers of Lucky Strike consistently selected by that fine, that light, that naturally mild tobacco.
No doubt about Lucky Strike means fine tobacco. And fine tobacco means real deep down smoking enjoyment for you. So smoke that smoke a fine tobacco, lucky strike. So round. So firm, so fully packed. so free and easy on the draw.
Tribe program starring Jack Benny with Mary Livingston Phil Harris, Rochester, External Day and yours truly, Don Wilson. Ladies and gentlemen, once again it's Sunday. And at such a beautiful day, the Jack and Mary walking to the studio.
Gosh, Mary, this is a perfect day for a walk. It sure is. The sun is so warm and bright. I'm glad we're... Jack, what are you doing? I'm rubbing some sun tan oil on me.
Well, take out the sardines first. It smells terrible. LAUGHTER Mary. And put your shirt down. You look silly with a bare midriff. All right, all right. I was just trying to get a little sunshine.
You know, sunshine is very... Say, look, Jack. Isn't that Hadi Lamar's nurse coming this way, pushing that baby carriage? Where? Oh, yes. You know, a Hadi's baby must be over a year old now. Yeah, and off it, cute.
…
Oh, sure. You recognize your mustard on your lapel. Yeah. Yeah. I think so. Jack, if you had that mustard on your lapel for a whole year. Well, I hated to take it off. It looks like a discharge button.
Yeah. But Mr. Kitsil, I can't understand you working as a chef in a drug store. What happened to your hot dog stand? Oh, well, that's an electric vehicle. My hard work stand is no longer under my jurisdiction.
Well, how'd you lose them? What happened? Well, today I bet on Boston. Game must be over. Well, that's a shame. Why don't you bet on St. Louis? And go against my hometown. Oh, you're from Boston?
Well, where do you think I got the axial? Well, it's nice seeing you, Mr. Kitsold. Mutual. Well, let's go, Marie. I, uh, Mary, I want to get in a little early because I asked Edgar Bergen to meet me in the studio.
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