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Review of 1926

Railroad Hour · 1926 · 21 min · 907 words

The transcript of “Review of 1926”, an episode of Railroad Hour from 1926. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). All Mixed Up plays Railroad Hour free, live around the clock. Search inside this transcript.

Machine transcript (may contain errors).

Transcript

Those were the days when the musical play, okay. My George and I, a great hit on Broadway. And your first third good, good Lawrence, sing this wonderful ballad.

There's somebody I love. Stanley singing her biggest hit, but went father to law.

It was 1926 when Marion Talley made her debut at 19 in the Metropolitan Opera House. when the Hobo College of Chicago had its first graduation and 150 Hobos went out into the world. Remember when you read those items in the papers?

Remember when you read of the marriage of Irving Berlin to Ellen Maki? That was the same year. And you thought of it when you heard the lovely Irving Berlin song that came out that year.

Yes. He calls the Ken forget. Opened on Broadway, and your first started singing, it's Lil' King hit tune.

Grown the Zag. You're Norman, and the second half of the Summer Joe Train stripped back to 19 from the dance to Black Bottom,

and you were playing Confax Bridge. And talking about your truth, Edelie, will mean the channel. And of a young Wompers star, out in Hollywood, who looked as though he might be headed someplace named Joan Crawford.

Baby, say, you're not the children's little baby, say. Say, no one or one could take your place. Baby, say, this woman prefer blondes with a hit on Broadway, and you began to refer to your boyfriend as your butter and eggman.

You heard Paul Weissen play his wonderful arrangement of one of the year's greatest salaries, A song that will live as long as we have music. And subtle soul, I'd read. In 26. Tina was at the height of the popularity.

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