Family Theater: The Juggler of Our Lady
Family Theater · January 16, 1952 · 28 min · 4,429 words
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The transcript of “The Juggler of Our Lady”, an episode of Family Theater first broadcast January 16, 1952. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). Thanksgiving Radio plays Family Theater free, live around the clock. Search inside this transcript.
Transcript
The Family Theater presents John Lund and Danny Thomas. The Mutual Network in cooperation with Family Theater presents the Jugler of Our Lady, starring Danny Thomas and John Lund. To introduce the drama, here is Danny Thomas.
Thank you, Tony Lefrano. Family Theater's only purpose is to bring to everyone's attention a practice that must become an important part of our lives if we're going to win Peace for ourselves, Peace for our families and Peace for the world.
Family theater urges you to pray, pray together as a family. We are presenting an adaptation of the familiar story, the juggler of our lady. You'll hear me in a little while as Barnaby, the juggler in our story.
And starring as the narrator is John Lund. In the garden of a certain monastery somewhere in France, there is a statue. And those who don't know the story ever think it rather strange.
For it shows a weary juggler kneeling at the feet of Mary. It's really quite a simple story, because Barnaby, the juggler of the story is about, was a simple man, the simplest of men. He was a juggler because his father had been a juggler, and his father's father before him. In fact, the blood of some
of the greatest jugglers of all time flowed in his veins, but he never thought of these things. For as I said, Barnaby was a simple man, and gave his chief concerns to simple things, the towns within the circuit that he traveled and the kinds of flowers that filled the mettors between those towns. And he would think of the expressions of wonder that would
come to people's faces as they saw him juggle the sick silver balls. And it pleased him to see their delight as he juggled the twelve sharp knives while balancing a turkey feather on his nose. When he would finish his performance, Barnaby would put the knives down on the old piece of carp at the service stage, and then he would bow low to his audience, and then
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