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The Four Fatal Jugglers

Molle Mystery Theatre · November 14, 1947 · 28 min · 3,734 words

The transcript of “The Four Fatal Jugglers”, an episode of Molle Mystery Theatre first broadcast November 14, 1947. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). Molle Mystery Theatre plays Molle Mystery Theatre free, live around the clock. Search inside this transcript.

Machine transcript (may contain errors).

Transcript

presented by M-O-L-L-E. The heavier brush was shading cream for tough whiskers or a tender skin. Ah! The test rebound welcoming you to the MOLA Mystery Theatre, the program that presents the best in mystery and detective.

Tonight's story by Paul Monash entitled The Four Fatal Jugglers and Starring Alan Hewitt as his own peculiar prescription for mystery. The ingredients? Well, take four people, mix them together lightly in an isolated place, and a dash or two of mutual hatred, but some juggle that hatred back and forth until it erupts into murder.

And you have the four fatal jugglers. Well, Mr. Barns, setting the stage for murder. Four fatal jugglers. That makes me shiver to think of it. Just as I shiver a bit, the think of a fellow all set to shave tough whiskers or attend a skin without mola.

Yes, when you start juggling that razor in the morning, you want mola. Because it's full of flakes. It's the full of flakes like flakes like shav you're gammin' with M.O.L.E. The heavier brushless shading cream for tough whiskers or a tender skin.

Try it. It's a nice moldy mystery, before fatal chuckling. Starring Alan Hewitt. Hey, if I'd like to have a talk with you, you don't got a moment to spare? Well, yes, I guess I'll have a look.

Step into my office, I've got something to show you. Okay. Mm-hmm. Well, tell me about your mind, Gordon. Ah, come on in. Close the door. Well, what do you know? The papers for the Mendoza and Blancaise.

That's it, Dave. I worked on this day and night. Now we're ready to take it into court. After your job begins, the courtroom, the press, the admirers, the glory. Oh, you're not going to start in on that again, are you, Gordon?

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