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Lux Radio Theatre · June 18, 1945 · 58 min · 8,576 words
The transcript of “The Canterville Ghost”, an episode of Lux Radio Theatre first broadcast June 18, 1945. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). Lux Radio Theatre plays Lux Radio Theatre free, live around the clock. Search inside this transcript.
Machine transcript (may contain errors).
Lux presents Hollywood. The Lux Radio Theater brings you Margaret O'Brien, Charles Loughton, and Tom Drake in The Canterbury Bill Ghost. Ladies and gentlemen, your guest producer, Mr. Hal Wallace. Greetings from Hollywood, ladies and gentlemen.
Maybe you've heard that story of two ghosts indulging in a bit of fandom conversation. One turned to the other and I asked that question that has troubled ghosts since time began. believe in people. We bring you tonight the story of a ghost who cherish very little confidence in people and even less faith in himself, though legend dubs him one of England's most
spectacular phantoms. Charles Lawton plays a title role in Metro Goldwyn Mayer's comic fantasy, The Catterville Ghost. Co-starred with Mr. Lawton is an actress still young on the vine and shortly to be starred and MGM's are vines have tender grapes, seven-year-old Margaret O'Brien, winner of this year's Academy Award.
Also in our cast is Tom Drake, who, as Cuppy Williams, finds himself billoted with American expeditionary troops in the ancient castle of the Canterbury, where what transpires may sometimes challenge your belief at the same time that it sparks your rizability.
While the setting of our play is wartime England, America has had its share of ghosts too. In fact, there was a time when it was considered a safe precaution to dunk all suspicious characters in water.
If they stayed under, they were innocent of harboring anti-social spirits. While we hardly tolerate such laundering in our present-day society, unless of course, we added lux flakes to the process. Give lux flakes a ghost of a chance, and you'll never work yourself into a skeleton with old-fashioned method. We lower our lights for the first act of the
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