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Kiss Me Monster (trailer, 1969)

Commercial · Don't Touch That Dial shorts · 1969 · 2 min · 302 words

The transcript of “Kiss Me Monster (trailer, 1969)”, an episode of Don't Touch That Dial shorts from 1969. Press a time to play from that line (a 60-second preview; Potato Plus plays it all). Don't Touch That Dial plays Don't Touch That Dial shorts free, live around the clock. Search inside this transcript.

Machine transcript (may contain errors).

Transcript

Stop goggling at it, you got all that at home. Day here. The girls are coming already.

Not your type, I hope you realize that. I'll have to think about it. I'll help you if you like. Actresses? Oh, thank God. I thought you were never going to open the door. It's very important. I can deliver this year.

The score is for the red lips. She is... Oh! Oh! Oh! What's the matter with him? Tell me, who do you work for truthfully? Sometimes when I count my earnings, I think it's a salvation.

Yeah. Stay with me, brother. Oli! This is your last chance. My last chance? Have you been experimenting with him? He's really a serious case that... Why are you so jittery? You mean that he really created two fully developed physical beings artificially?

Yes, but without developing intelligence along with it, they are like dogs. I don't know anything. I don't know anything about Bertrand. I just want to finally get the hell out of here. You're lying to me.

All I know about your fabulous Professor Bertrand is that he was a great scientist and that many people are interested in the result of his research. Where might they be? Ah! Excuse me, please. Yeah.

Hand over the crate. Who are you? Take a guess. Interpol? Just imagine. My number is XP-347-10. In case you want a logic complaint. Now give her the crate. Get out, girls! Thank you. There's a step.

You promised me we'd go on a trip around the world with a scriptees number. But at the moment, things are far too interesting for us to go away. I've got a feeling there's going to be a lot in it for us. I see you break your word and I've got no choice

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